Filmography from Takashi Ishii

Director :

Furîzu mî, Takashi Ishii, 2000
Chihiro is raped by three men and it is captured on video camera. She leaves her hometown and prepares to marry a colleague five years later, when one of the rapists arrives and says the others are on their way. He behaves like her long-lost lover and mistreats her again. Chihiro takes revenge, kills him and puts him in a freezer. The other rapists are awaiting a similar fate... ...

Tenshi no harawata: Akai memai, Takashi Ishii, 1988
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Writer :

Furîzu mî, Takashi Ishii, 2000
Chihiro is raped by three men and it is captured on video camera. She leaves her hometown and prepares to marry a colleague five years later, when one of the rapists arrives and says the others are on their way. He behaves like her long-lost lover and mistreats her again. Chihiro takes revenge, kills him and puts him in a freezer. The other rapists are awaiting a similar fate... ...

Shiryô no wana, Toshiharu Ikeda, 1988
Nami hosts a late night home video program. She receives a tape which appears to be a real snuff film. She and her crew investigate the location where she meets a man looking for his brother who warns her to stay away. As she gets closer to the truth, she and her friends are subjected to a brutal nightmare....

Tenshi no harawata: Akai memai, Takashi Ishii, 1988
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Tenshi no harawata: Akai inga, Toshiharu Ikeda, 1981
Nami is a staff member at an exclusive department store. Her libido is chiefly satisfied alone, until a co-worker talks her into subbing on a porno modeling job. Her appearance in the magazine Red Porno has no end of complications for her....

Tenshi no harawata: Nami, Noboru Tanaka, 1979
This is the third film in the Angel Guts series. It tells the story of Nami, a young female journalist. As she investigates the brutal stories of rape victims, she finds herself becoming more and more obsessed with the horror of their attacks. This obsession ultimately takes her down her own irreversible path of violence....

Tenshi no harawata: Akai kyôshitsu, Chûsei Sone, 1979
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